The Odyssey by Christopher Nolan
One movie lover's response
"I Stand with the Jews"
What does that mean?
Second of two parts
A canopy of oaks and maples rose overhead. Green understory
surrounded me: pinxter azaleas and thorny Japanese barberry. Bluets – tiny
wildflowers – blossomed underfoot. Up ahead, Marc approached me with his
typically hale and hearty, "Hello, Danusha!"
I shoved my rosary in my pocket and removed my headphones. I had
been cheating. I should have been focusing, with the binoculars around my neck,
on the migrating spring warblers that make Garret Mountain famous among
birders. Instead I was listening to Gregorian chant and praying the rosary as I
hiked. "Hello, Marc," I said, as I migrated from internal
contemplation of the eternal to external society and the ingeniously plumaged
sprites zipping around us.
"Look at that color!" Marc exclaimed.
I pointed my binoculars in the direction Marc indicated. He had
spotted a purple finch.
"I can see," I said, "Why Roger Tory Peterson
called them 'a sparrow dipped in raspberry juice.'"
Marc is, by many estimates, the best birder in the state. Of
course we are all, in our own ways, the "best" birdwatcher in
compliance with our own needs and desires, but Marc racks up awesome numbers of
the species he sees annually.
Marc's surname harkens back to Chelm, a city in Poland once famous
among Jews as a site of folkloric fools. My favorite Chelm story: the local
wise men declared that if you drop a buttered slice of bread, it will always
fall on the buttered side. This conclusion reflects the pessimistic worldview
typical of both Jews and non-Jews in Eastern Europe. Of course, eventually,
someone dropped a buttered piece of bread and it fell buttered side up. The
wise men of Chelm debated this astounding event and determined that the slice
had been buttered on the wrong side. Chelm stories arose from a culture that
valued scholarship enough that it could spoof scholarly folly.
Mindful of Marc's identity as someone other than our state's best
birdwatcher, I wondered if I should say something.
I had told myself, if the opportunity arises, I will say
something.
Was this the moment, though, to say something?
I felt timid, but also determined. If we keep waiting for the
perfect moment, we never say anything.
"Marc," I ventured. "I want to say something about
something other than birds."
"Yes?" Marc said, turning his attention from the purple
finch to a streamlet that might be playing host to a Louisiana waterthrush.
"There's been a rise in antisemitism."
"You think?" Marc said, his voice rising, in an
atypical, for him, sarcastic comment.
"Yes, and I just want you to know that I'm not Jewish…"
said the woman who had been praying the rosary and listening to Gregorian
chant. "But I want to be an ally. I'm on your side."
I'm glad I said something. If the moment arises when Marc could use some support from someone like me, he knows I'm here.
"I
Stand with the Jews"
What does that mean?
First of two parts
The other day, an
antisemitic comment came through my social media feed. I didn't want to debate
the poster. People who say abysmally stupid things do not deserve the respect
implied by debate, nor do they deserve the attention that debate generates. But
I did not want his comment to go unanswered. All I said was, "I stand with
the Jews."
"What does that
mean?" the antisemite challenged.
This essay offers my response to his question.
Pressure
2026
Yes,
we do need another D-Day movie
I
walk a lot. I check NOAA's forecast five times before heading out. If there's a
ten percent chance of rain, I have a Gore-Tex slicker in my daypack. I'm always
over-prepared for weather. One day I was walking down Ratzer Road, a road I've
walked hundreds of times. I passed wide lawns and suburban McMansions, some of
them costing a million dollars. I felt carefree. That did not last.
Boom.
In the time it took me to type the word "boom," everything changed.
The sky turned black. Forty-foot evergreens swayed so drunkenly I feared they'd
lash me like the tail of a lunging tiger. Pelting hail obscured my vision. With
every step I pushed against a locked door – the wind was that determined to
prevent me from moving. I recognized that this is the kind of weather that
kills. I frantically sought a nook where I could take shelter in this, not my
neighborhood, and, again, that fast, it was all over. The sky was suddenly
dove-gray. The hail relaxed to a light drizzle. The Apocalypse was canceled.
My
best guess is that I was stuck in a dangerous phenomenon called a
"microburst." Microbursts damage structures, cause car accidents and
plane crashes, and they do kill. Ultimately, though, what it was, was weather.
In
Indiana, after a tornado, I heard of a grandfather trying to hold back his
grandson, to no avail. The tornado pulled the tyke out the window. In 2011, in
Paterson, NJ, I was evacuated during Hurricane Irene. The Passaic River was
coming up through the floorboards. Within hours the entire neighborhood, for a
mile around, was under water. In 2012, after Hurricane Sandy, for most of two
weeks, we had no electricity and substandard tap water. In 2021, thirty New
Jerseyans died during Hurricane Ida. One victim drowned on the very non-aquatic
Lackawanna Avenue, near a Best Buy and a Barnes and Noble. Two people tried to
rescue her, but these Good Samaritans had to themselves be rescued by fire
department crews. Her body was never found.
Weather.
We
humans have dominated much of nature. We have extended average lifespans,
conquered smallpox, and manipulated the landscape to our whim. But we are still
mere playthings in the hands of weather. A new film, Pressure, examines
the impact of weather on a history-making event: D-Day.
Perhaps
no human accomplishment supersedes D-Day as an expression of humanity's power.
D-Day was the largest seaborne invasion in history. On June 6, 1944, almost
160,000 Allied troops landed on Normandy's beaches. These included troops
from the United Kingdom, Canada, and twelve other Allied nations. Over 7,000
naval vessels and 12,000 aircraft participated. An estimated 100,000 French
resistance fighters coordinated, via coded messages, with overseas planners and
carried out crucial and meticulous preparatory operations behind enemy lines.
For example, the French derailed Nazi supply trains inside tunnels. Repairing a
train derailment inside a tunnel is much harder than doing so in an open field.
By the end of June, Allies had delivered 570,000 tons of supplies. By the end
of August, two million Allied troops were in France.
In spite of this display of human might, D-Day's planners were still subject to weather. The new film, Pressure, makes this vulnerability to weather abundantly clear. If the Allies had attempted D-Day on the wrong day, with the wrong weather, D-Day might have failed, and the attempt to defeat Nazi Germany would have gone very differently.
Part I: Why Birdwatching, Beauty, Words,
& History Matter
My mother was a foreigner and at the
drop of a hat she and my dad would speak with totally different words. The
Italians across the street, the Ukrainians across from them, the Spaniards next
door to them, the Filipinos down the block – our town was crowded with words
and the worlds that came with those words. I understood, young, that words are
as diverse as the people who speak them. I felt an overwhelming craving to
master all these words, and these various worlds.
We ate oskvarky. We visited with tetka.
When swimming in the river, we had to resist the hastrman, lest he drag
us down and drown us. My mother had words in English, Slovak, Polish, Russian, Hungarian,
Yiddish, and German. When neighbors commented on how smart my mother was – and
they did and still do so – I feel proud. This immigrant woman who had to work
to support her five siblings and therefore could not go to school commanded
words and the worlds that came with those words.
One day I was five – maybe – maybe four,
or even three. The age when you have imaginary friends. When you talk to the
family dog and understand his replies. My mom and I were kneeling on a bed and
looking out a window facing east and the green hills that were a minute's
barefoot walk from our front door. I gazed at pink, purple, and white blobs
that I'd recently learned to name, or would soon learn to name: rose-of-Sharon,
bridal veil, Oswego tea, peach blossom, mountain laurel. How did my mother fit all
those fruits and flowers into our tiny plot? With her strong hands she worked
her dreams-deferred of streets-paved-with-gold into dirt crowded with flowers.
Brown blobs scattered before us.
"Sparrows," my mother said.
I knew the word "bird." She
knew the word "sparrow." She could take a big general class of things
– "birds," – and divide it into a more specific sub-class –
"sparrows." I resolved to master magical power like hers.
"Sparrow:" the sound fed me. The
sibilant "s" sliding sensuously into the earthbound, explosive
"p;" "arrow" providing a liquid-vowel soft place to land.
"Sparrow:" sensuous and yet authoritative. "Sparrow,"
according to one
online source, comes from a Proto-Germanic word meaning
"flutterer." In Slovak, "vrabec" is onomatopoetic, that
is, an attempt to imitate the sound sparrows make when they chatter together. Germans
saw sparrows. Slavs heard them.
I know so little about my Slavic ancestors. Peasants and serfs don't leave much in the way of written records. To know that they named sparrows vrabec in an attempt to recapitulate the bird's sound touches me deeply. I get a hint of how they made sense of their world.
The Story of
Everything 2026
A new documentary argues that science
supports the concept of a creator God
The Story of Everything is a 2026 documentary addressing the
question of whether or not science supports the possible existence of a creator
God. Before I get too deep in the weeds of this review, let me say, I loved The
Story of Everything. The Story of Everything is a polished, professional,
engrossing documentary that any thinking person, including high school
students, could enjoy. Please go see it in a theater if you can, and if you
can't, grab it up as soon as it appears in other formats. Its run is limited,
and in the theater where I saw it, there was only one showing. Otherwise, I
would have happily sat through this film three times. I was on the edge of my
seat. I want a miniseries continuing the work of the documentary, complete with
supplemental materials, including question-and-answer notebooks viewers can fill
in to review, test, and reinforce all they've learned.
The Story of Everything is not just a series of scientific
talking heads, utterly fascinating and authoritative though these talking heads
might be. It includes animations so unique, so valuable, and so engrossing I
cannot wait to purchase the DVD of this film so that I can watch these
animations repeatedly. The inner workings of the cell are depicted in minute detail.
All lifeforms are made up of cells; those complicated little factories constitute
our physical forms. Thanks to these animations, we can see ourselves as never
before.
The Story of Everything travels from the microcosm to the
macrocosm. The film includes gorgeous footage of life on planet Earth, from
tiny hummingbirds to majestic blue whales. The film adjures the viewer to again
take up the previously discarded awe of a child, and to be bowled over by the
powerful mystery that is life. We are made up of billions of miracles occurring
every second. We are part of a larger miracle we can never fully understand but
can always be inspired by. This movie gave me chills and it caused me to tear
up.
I love engrossing discussions of big ideas, and that's what you get in The Story of Everything. I love finishing a film determined to do some research on ideas presented therein. Since watching The Story of Everything, I've been gorging on science podcasts. I've been asking questions I didn't ask before, questions about why the carbon molecule shook Fred Hoyle's worldview, and how the Hubble telescope does or does not support the Big Bang.